1970sAustin City LimitsBlue Grass MusicMusicPBS

Music – 1977 – Austin City Limits – Earl Scruggs Revue – Simply Pickin’

DOG ASIDE:

Earl Eugene Scruggs was an American musician noted for popularizing a three-finger banjo picking style….now called “Scruggs Style”….which is a defining characteristi of bluegrass music…as his three-finger style of playing was radically different from the ways the five-string banjo had been historically played….as Scruggs popularized the instrument in several genres of music….and elevated the banjo from its role as a background rhythm instrument….or a comedian’s prop….into a featured solo status. .

Scruggs’ career began at age 21 when he was hired to play in a group called Bill Monroe and the Blue Grass Boys”….as the name “bluegrass” eventually became the eponym for the entire genre of country music now known by that title. Despite considerable success with Monroe while performing on the Grand Ole Opry and recording classic hits like Blue Moon of Kentucky…..Scruggs resigned from the group in 1946 due to their exhausting touring schedule….at which time band member Lester Flatt resigned as well ….and he and Scruggs later paired up in a new group called “Flatt and Scruggs and the Foggy Mountain Boys….when Scruggs’ banjo instrumental called “Foggy Mountain Breakdown” was released in 1949…. and it became an enduring hit and had a rebirth of popularity to a younger generation when it was featured in the 1967 film Bonnie and Clyde. The song won two Grammy Awards and, in 2005, was selected for the Library of Congress’ National Recording Registry of works of unusual merit.

Flatt and Scruggs brought bluegrass music into mainstream popularity in the early 1960’s with their country hit, The Ballad of Jed Clampett….which became the theme music for the successful network television sitcom The Beverly Hillbillies….becoming the first bluegrass recording to reach number one on the Billboard charts. Over their 20-year association, Flatt and Scruggs recorded over 50 albums and 75 singles. The duo broke up in 1969, chiefly because, where Scruggs wanted to switch styles to fit a more modern sound, Flatt was a traditionalist who opposed the change, and believed doing so would alienate a fan base of bluegrass purists. Although each of them formed a new band to match their visions, neither of them ever regained the success they had achieved as a team.

Scruggs received four Grammy awards, a Grammy Lifetime Achievement Award and a National Medal of Arts. He became a member of the International Bluegrass Music Hall of Fame and was given a star on the Hollywood Walk of Fame. In 1985, Flatt and Scruggs were inducted together into the Country Music Hall of Fame and named, as a duo, number 24 on CMT‘s 40 Greatest Men of Country Music. Scruggs was awarded a National Heritage Fellowship by the National Endowment for the Arts….which is the highest honor in the folk and traditional arts in the United States. Four works by Scruggs have been placed in the Grammy Hall of Fame. After Scruggs’ death in 2012 at age 88, the Earl Scruggs Center was founded near his birthplace in Shelby, North Carolina….and with the aid of a federal grant and corporate donors. The center is a $5.5 million facility that features the musical contributions of Scruggs and serves as an educational center providing classes and field trips for students.

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